Playing changes : jazz for the new century / Nate Chinen.
Material type:
- 9781101870341
- 781.6509/05 23
- ML3506 .C54 2018
Item type | Current library | Collection | Shelving location | Call number | Status | Notes | Date due | Barcode | |
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Vermont Jazz Center | Book Collection | Archive Room | ML3506.C54 2018 (Browse shelf(Opens below)) | Available | Eugene Uman Collection | 39088000001143 |
Browsing Vermont Jazz Center shelves, Shelving location: Archive Room, Collection: Book Collection Close shelf browser (Hides shelf browser)
ML3477.1 .S25 1994 Dancing in your head jazz, blues, rock, and beyond / | ML3506 .A33 1999 Jazz : a crash course / | ML3506.B4513 1975 The jazz book; from New Orleans to rock and free jazz / | ML3506.C54 2018 Playing changes : jazz for the new century / | ML3506.C6 1996 Jazz / | ML3506.C6 1996 Jazz / | ML3506.C76 1990 Jazz anecdotes / |
Includes bibliographical references, discography, and index.
Change of the guard -- Where do you start : Brad Mehldau -- Jazz wars -- Play the mountain : Steve Coleman -- The new elders -- Gangsterism on a timeline : Jason Moran -- The classroom -- Emergence : Vijay Iyer -- Changing sames -- Esperanza -- The crossroads -- Mary Halvorson.
One of jazz's leading critics gives us an invigorating, richly detailed portrait of the artists and events that have shaped the music of our time. Grounded in authority and brimming with style, Playing Changes is the first book to take the measure of this exhilarating moment: it is a compelling argument for the resiliency of the art form and a rejoinder to any claims about its calcification or demise. "Playing changes," in jazz parlance, has long referred to an improvisers resourceful path through a chord progression. Playing Changes boldly expands on the idea, highlighting a host of significant changes: ideological, technological, theoretical, and practical that jazz musicians have learned to navigate since the turn of the century. Nate Chinen, who has chronicled this evolution firsthand throughout his journalistic career, vividly sets the backdrop, charting the origins of jazz historicism and the rise of an institutional framework for the music. He traces the influence of commercialized jazz education and reflects on the implications of a globalized jazz ecology. He unpacks the synergies between jazz and postmillennial hip-hop and R&B, illuminating an emergent rhythm signature for the music. And he shows how a new generation of shape-shifting elders, including Wayne Shorter and Henry Threadgill, have moved the aesthetic center of the music. Woven throughout the book is a vibrant cast of characters from the saxophonists Steve Coleman and Kamasi Washington to the pianists Jason Moran and Vijay Iyer to the bassist and singer Esperanza Spaldingwho have exerted an important influence on the scene. This is an adaptive new music for a complex new reality, and Playing Changes is the definitive guide.
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